Music has always been esteemed for its power to speak directly to our higher consciousness. Alain Danielou traces the development of musical scales and. In this book, Alain Danielou traces the development of musical scales and tuning from their origins in both China and India, through their merging in ancient. Music and the Power of Sound by Alain Danielou, , available at Book Depository with free delivery worldwide.
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The lin zhong [II] is fundamental for the sacrifices to the earth. This may be all right.
The object of harmonic science is to classify these proportions according to their symbolism and the feelings, images, or symbols they express.
Figure 14 shows the scale of proportions, which is the basis of all modal music. Roshni rated it liked it Apr 22, We daily use all sanielou of forces, recently domesticated, in total ignorance of their effect on the structure of our organism and on the balance of external events.
In Indian music the interval of one sruti is prohibited. Greek music as it was actually played, being modal, is necessarily included in the definitions of ancient Indian music, because those definitions cover all the possibilities of modal music.
Musoc term sruti, like the Daniepou quarter tone, refers to the displacement of a sounv by an interval smaller than a half tone in order to obtain a harmonically accurate interval. In Western music, all the notes have an approximately equivalent value because each note can be the root, fifth, or third danie,ou a chord. In the nomenclature of the Yajurveda the notes are called udatta raisedanudatta not raisedand svarita accented.
E qualized o r T em p ered D ivision s Considering the first series of fifths, we can obtain the six perfect tones five fifths and the tonic: It is called the scale of the fourth Ma grdm a because its real tonic is G Pawhich is the fourth of the scale of D Rethe fundamental scale of Bharata.
Music and the Power of Sound : Alain Danielou :
This is the basis on which develops the whole system of the harmony of fifths, which through their cycles form first a series of twelve sounds, then a series of fifty-two sounds, and finally a series of sixty sounds within the octave.
When Sivendranatha, in his Raga-vibodha, says for example that the P auravi and Uttardyata m urchanas begin from Dha Ahe takes as a general tonic the medieval one, Re D. We might be tempted to see in these formulas a series of metaphors; the Chinese have seen in them, from the very beginning.
The major tone ‘ 22 2.
Music and the Power of Sound – Alain Daniélou – Book Review
Instruments such as the violin or accordion produce, together with each note, a large number of harmonics, often louder than the note itself; other powwer such as the flute or the isolated string of a piano possess relatively few audible harmonics. S ou nd s The number of possible musical intervals is obviously unlimited in theory.
But a denial is not an answer, and it is not sufficient to say that something is untrue for it musiic be soune. Nov 15, Axel Shaw rated it it was amazing Shelves: Sangita Ratndkara M ea su rem en t o f I n terv a ls To be in a position to study different musical systems, we must first look at the methods of measuring musical intervals and decide which method we shall use.
Music and the Power of Sound
These ratios are therefore the expression of general laws of sound that are applicable to the frequency of vibrations, but not exclusively so. If we compare the numbers of these progressions two by two, we find six intervals and twelve relations: Six is the number of celestial spirits.
To those ideas, those images that we can evoke through sounds, we cannot give a tangible existence; without the knowledge of the transcendental laws of numbers, of which the perceptible laws of our illusory world give only an imperfect and approximate image, we cannot materialize them. Each tetrachord of the enharmonic genus, containing eight, one, and one dieses, is divided by different authors as in example This is why, in ancient Greek music, transposing a melody one octave higher changes its character, while a transposition of two octaves will bring back the same feeling.
In any event, the accurate division by quarter tones was applicable only to one octave, the other octaves being played by ear and by pulling the strings, as is the case today on the Indian vina and si tar. Each string of the lyre was related to a planet. Thus begins a new cycle, which in its turn, with a period of 53 fifths, will divide the octave into small intervals of 0.
But is it the right of everyone to constitute a scale according to his own wishes and to ask people to sing according to the proportions of that scale?
Serj Stoney marked it as to-read Mar 17,