I’ve recently got my hands on his “School of Guitar” book, and am a bit intrigued by his approach to rest strokes; namely, Carlevaro labels the. I studied under Maestro Abel Carlevaro in Montevideo, Uruguay from to . many years I have been studying guitar is Abel Carlevaro’s “School of Guitar”. The guitar world saw Agustin Barrios MangorĂ© and Abel Carlevaro shaping His whole school is based on allowing the mind to process every movement on.

| Author: | Sakus Malacage |
| Country: | Nicaragua |
| Language: | English (Spanish) |
| Genre: | Politics |
| Published (Last): | 26 August 2007 |
| Pages: | 213 |
| PDF File Size: | 19.15 Mb |
| ePub File Size: | 8.16 Mb |
| ISBN: | 221-2-48818-647-4 |
| Downloads: | 84857 |
| Price: | Free* [*Free Regsitration Required] |
| Uploader: | Taunris |
The term “rest-stroke” is used as a general basket for many types of attacks on a given string; and is an end in itself.
A question about Abel Carlevaro – Classical Guitar
What Carlevaro talks about are different “toques” using various different muscle groups in order to put more force onto the string which you are setting into motion. I’m unfamiliar with him other than the “Masterclass” series.

I now use this approach on my students; I show them and explain the proper RH and LH movements and explain why and help them find their own technique. The books are published by Barry Editorial. Carlevaro states that “there may be leaning against shcool string as a consequence of a particular force. Please consider supporting us by disabling your ad blocker on our website.
Good luck and let me know if I can be any assistance.
Classical Guitar
What I specially like in Carlevaro’s technique is his attention to the clean execution of music, without noise, his toughtful approach to fingering and to position shifting.
The student needs to understand proper left hand movements for extensions, distensions, longitudinal and transversal movements.
For that purpose, he developed an intricate series of different ways to articulate and lock the different joints of fingers and thumb. Does anyone know where I can purchase a copy of the English version of this method?
If you watch Carlevaro on YouTube or Jose Luis Merlin, you will see them playing a particular note that by force causes them to lean on adjacent strings. A wood box, empty A sensitive heart, too full You and I connect. Board index All times are UTC. My general impression was that the rest stroke is not “forbidden”, but that it was so over used by the older schools that a re-examination of its relevance was in order. However, as is the case with most “schools of thought”, there are times that, in an attempt to make a clean break from earlier schools of thought, he overstates his case.
Among other reasons, he tought rest stroke would 1 produce more noise and 2 dampen strings which sometimes ought to sound freely. Some of the “toques” may be with the large finger joint, the wrist, forearm, all by use of “Fijacion. I remember a bit of the Carlevaro approach, but had a teacher change early on and my second teacher put me on to other folks. Since over use of anything can be thought of as a vice, it might be fair to have referred to the rest stroke as such.
All the best, Rick. An easy example is when you use a bar and allow the arm to assist in the bar instead of squeezing with your thumb muscle which is small and tires easily.
I’ve been searching the world via the internet for a copy of Carlevaro’s “School of Guitar”. His left-hand technique feels real light, Renaissance music sounds great that way.
Of course, this is after there is a substantial amount of technique in place in order to guide the student. I think it’s a great work to study bit by bit and use as a periodic reference.
Even called the publisher Boosey and Hawkes but haven’t heard from them either. Appologies if the origianl guitag is reading this, but I “call ’em like I see ’em” and there are real idiomatic issues.
He was a student of Carlevaro for quite some time and convinced me to partake in exploring the technique. Classical Guitar Skip to content. It looks so small but it is so jammed pack with wisdom. Here is a sight in England that has the books http: This School of Guitar is easily the most in-depth method book I’ve seen. I think one’s head might explode gultar if reading it in one sitting were attempted.
Our website is made possible by displaying online advertisements to our visitors. I’ve learned an incredible amount from him.
My 40 Years with Carlevaro’s “School of Guitar” – 3. Abel Carlevaro
ghitar Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for gujtar guitar – Delcamp. As for myself I’ve been a subscriber to his web site for a little over a year and I’ve been able to make large strides in my confidence and technique using Carlevaro’s method’s.
BernieD – you and I are the rare few here I believe that give Renato a thumbs up. It’s out of print and no one has any in stock. Belucci hold’s him and his methods as the very best of techniques to fully develope the mastering of og CG. He claimed that, with practice, one should be able to produce the same tone s without using rest stroke. I’ve exhausted the Google searches.
He would also argue that free stroke allows for more dexterity and speed. Oh, BTW Cincy2, I’m afraid I can’t help you find a copy of the English version, varlevaro if you are able to read Spanish at all it will be well worth the effort, particularly since the English translation is very poor.
